Fassbinder, Franz, Fox, Elvira, Erwin, Armin, And... →
nemesissy: Douglas Crimp, October, Vol. 21. On homosexuality, Fassbinder, Barthes, and how the ‘personal’ is defined within and imposed upon a given artist’s oeuvre.
Individualism is a white capitalist aesthetic. Stop kissing your own ass. Source: dagseoul #whiteness #white people problems
I’m drunk and I have soo much Derrida to read.
screaming sexy for real! (Source: sonofapritch)
Dear Pig Top, (from a Pretend Victim of Sodomy) I Love Dick. —————————- Dear Pig Top, We’re listening to At-The-Gates. Fuck that shit. —————————— Dear Pig Top, All the gay metal boys swing their hips when they head-bang. ...
tumbling and haunting and jabbing
sonofapritch: and suddenly THE ETHICS OF stops reading has an aneurysm “throwing my voice” ah that’s the stuff
“I want to write like a poet about my asshole. I want to attribute to it the clinch of a jaw, the sharpness of teeth, a mind of its own. I can’t. It burns.” Greg Bordowitz
“You are a living mockery of your own ideals. If not, you have set your ideals too low.” Charles Ludlam
bb-goose: Threadsuns over the grayblack wasteness. A tree- high thought strikes the light-tone: there are still songs to sing beyond humankind. -Paul Celan
Hexentexte (Witches' Writing)
thenightwood: IN THE DUST OF THIS LIFE Pale sieves a tired Ax in the tree’s bosom. In the foliage’s broom there is Seed-blood-silk. Bites in the lovenest of the building. Sweetly fogs in its ice-bath the Ibis’s blood. Masses in the dust of this life. Montpellier 1955 Unica Zurn (This was an anagram poem in the original German, obviously there is no way to translate that, but...
“Do you see your work in the context of a national state, or in the context of international capital, or in some other context (including imaginary or imagined ones)?” NO “Is identity an important issue for your work and if so in what senses?” NO “What do you see as the most urgent, yet insufficiently recognized, or addressed, issue or issues for poets at this...
“How hard should I be willing to work to cause the machine to move? Certainly there must be a model whereby whispering could be amplified into a question of pitch.” from “Automatic Manifesto #7” Nick Piompino
“TRIGGER WARNING: imagism”
without reference to making a point any more than to making a shape
A terrible hand occurred suddenly on the earth: that of a single exchange that has no purpose other than taking, which has no other way that the pressure it exerts, which has to other rate as the monotony of its growth.This hand has imposed its concord is that of a despotic indulgence. It’s the green and a nine dollar crack - which seeks to overcome the screeching voice of...
Such pimples! such hardons! such moody loves. And thus they grew like giggling fir trees.
The Only Thing I Underlined In My Copy Of Virgil’s Eclogues When I Read Them For My Comps The shepherd also came, the heavy swineherds came, Menalcas came, wet through from steeping winter mist. All ask him ‘Whence that love of yours?’ Apollo came; ‘Gallus, you’re mad!’ he cried.
You Don’t Know Pussy __________________ No Grapefruit For Faggot __________________ Help, I’m A Cop __________________ A Case Of The Hets __________________ I Want To Get What I Don’t Know __________________ The Body As A Series Of Useful Pockets
when he dies I kept doing shit in his memory & he kept not being here. Nothing was pretty enough.
when his body finally burst from the pressure rent boy appeared
Someone has written a poem Fuck You, I took your words
Queer “this is this & this they seal everything & event with a sound and, as it were, take possession of it.”
When I first started doing it My hand knew only 4 cardinal Points-inward, outward, & side to side- Not realizing-utilizing the infinite amount of possible movement in the spaces between
People Who Accidently Blew Me existence seems holy enough by itself justify a further immensity of suffering the great bone in the body the divine service of bees on a sagging sofa w/ corrugated iron accents